Doctor Who: Tin Dog Podcast
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TDP 269: Janet Fielding has Cancer

Former companion actress Janet Fielding is fighting cancer, it has been revealed.

No more details about her condition are known at the moment but Peter Davison, whose Doctor she appeared opposite as Tegan Jovanka, has won the support of other ex-Doctor actors to launch a charity fund-raising convention - Project MotorMouth - that aims to "not only raise money for a good cause but also keep Janet's spirits up."

Davison, Colin Baker, Sylvester McCoy, Paul McGann, and David Tennant are the first guests announced for the event, which will take place on Saturday 19th January 2013 at the Copthorne Hotel Slough-Windsor. All guests will be appearing subject to work commitments.

The profits from the convention will go to Project MotorHouse, which is seeking to convert a derelict building in Thanet into a mixed-use venue promoting sustainable technology and a place where youngsters can get help with starting their own businesses. Fielding is the project co-ordinator for the organisation as well as its community champion.

She first appeared in Doctor Who in 1981 in Tom Baker's final story, Logopolis, and left the TV series in the 1984 story Resurrection of the Daleks, but made a cameo reappearance two stories later in a regeneration dream sequence for Davison's swansong The Caves of Androzani.

She has also worked as a theatrical agent - a job that saw her representing McGann when he won the role of the Eighth Doctor - and has played the role of Tegan in a number of audio productions for Big Finish.

reprinted from gally base

Direct download: 269_TDP_269__Janet_Firlding_Had_Canc.mp3
Category:podcast -- posted at: 6:30pm UTC


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TDP 268: Ambasadors of Death

The Ambassadors of Death is the third serial of the seventh season of the British science fiction television series Doctor Who, which was first broadcast in seven weekly parts from 21 March to 2 May 1970.



With the United Nations Intelligence Taskforce providing security, the British space programme under Professor Ralph Cornish oversees the launch of the Recovery Seven probe. This has been sent into Earth orbit to make contact with the missing Mars Probe Seven and its two astronauts, who lost contact with Earth eight months earlier. The pilot of Recovery Seven, Van Lyden, makes contact with the Probe but is then silenced by a piercing unearthly sound. The noise troubles the Doctor who travels with his assistant Liz Shaw to the Space Centre to investigate the situation, offering insights into the origin and meaning of the sound, which he interprets as coded messages. He also identifies a reply message sent from Earth and this is pinpointed to be coming from a warehouse seven miles away. Led by Brigadier Lethbridge-Stewart, UNIT troops attack the warehouse and engage in a gun battle with troops organised by General Charles Carrington.

Meanwhile Recovery Seven has returned to Earth and while UNIT is transporting it more of Carrington’s troops stage an ambush and steal the vessel. The Doctor relocates it, by which time it is empty. Carrington has ensured the contents – three space suited astronauts – are detained elsewhere, feeding them radiation to keep them alive. Carrington is now introduced to the Doctor by Sir James Quinlan, the Minister for Technology, who explains that he is head of the newly formed Space Security Department, and that his actions were to protect the astronauts as they had been infected with contagious radiation. Quinlan states that they did not want the public to become panic-stricken and so Carrington had been acting with authority in his actions.

By the time Carrington takes the Doctor and his friends to meet the astronauts the situation has changed again. A criminal named Reegan has organised their abduction, killing the soldiers and scientists protecting them. When the Doctor and Liz examine the situation they work out that human tissue could not have withstood the degree of radiation emitted to the astronauts, who are still in orbit, meaning the three space suits contain alien beings instead. Reegan now engineers the kidnapping of Liz Shaw to aid his own scientist, Lennox, a disgraced Cambridge professor, in maintaining the alien beings while they are incarcerated. Together they build a device to communicate with and control the aliens, who are sent on a killer rampage at the Space Centre, killing Quinlan and others. Liz later helps Lennox escape, but his bid for freedom is cut short by Reegan’s merciless revenge.

Despite the obstruction of the authorities, Ralph Cornish is determined to organise another space flight to Mars to investigate the situation. With Quinlan dead, the Doctor now decides to pilot the Recovery Seven probe ship himself. As he prepares to blast off Reegan tries to sabotage the probe by increasing the feed of M3 variant, but the Doctor survives the attempt on his life and succeeds in piloting the probe so that it connects with an enormous spacecraft orbiting Mars. Aboard the spaceship the Doctor discovers the three original astronauts are unharmed but mentally deluded into believing they are in quarantine. An alien being now reveals itself to the Doctor and explains the humans are being held aboard the craft pending the safe return of the Alien Ambassadors. They had been sent to Earth following a Treaty between the race and mankind, but the terms of this agreement have now been broken because of the detention of the Ambassadors. The Doctor offers his personal guarantee to help return the Ambassadors to their mother ship and resolve the conflict before a state of war is declared, and is permitted to leave the alien craft and return to Earth.

When the Doctor touches down he is gassed and kidnapped by Reegan, who takes him to Liz. Reegan’s real paymaster and the real organiser of the situation is revealed to them: General Carrington. The General reveals his actions have been prompted by xenophobia driven by his own encounter with the alien beings when he piloted Mars Probe Six some years earlier. His co-pilot, Jim Daniels, was killed on contact with the aliens and the General signed the treaty with the aliens to lure three of their number to Earth, where he hoped he could unveil their real agenda of alien invasion. The use of the ambassadors to kill people was similarly done to arouse public opinion against them. The next phase of his plan is to force the Ambassadors to confess their plot on public television. Leaving the Doctor and Liz working on a new and improved communication device to translate the aliens, Carrington departs for the Space Centre, where he aims to unmask the alien Ambassador before the eyes of the world – and then call on the powers of the Earth to blast the spaceship from the skies.

UNIT soldiers raid the secret base and rescue the Doctor and Liz, apprehending Reegan and his thugs. The Doctor races to the Space Centre and he and the Brigadier apprehend Carrington before he can make his broadcast. Sadly, he is taken away, protesting he was only following his moral duty. The Doctor arranges for Cornish and Liz to send the Ambassadors back to their own people, after which the three human astronauts will be returned.


  • In the first episode, the Doctor makes a reference to the Brigadier's destruction of the Silurians.
  • Sergeant Benton has been promoted from Corporal since his appearance in The Invasion (1968).[1]
  • The Mars Probe space programme appeared in two of Virgin's Doctor Who novels. Who Killed Kennedy revealed that the shuttles were developed from technology taken from International Electromatics. In The Dying Days, the programme was abandoned when Mars Probe 13 accidentally encountered the Ice Warriors and it was agreed that Earth would stay away from their territory; however, a 1997 Mars Probe mission precipitates a Martian invasion and takeover.


Serial details by episode
EpisodeBroadcast dateRun timeViewership
(in millions)
"Episode 1" 21 March 1970 24:33 7.1 PAL 2" colour videotape
"Episode 2" 28 March 1970 24:39 7.6 16mm B&W t/r & Partial restoration
"Episode 3" 4 April 1970 24:38 8.0 16mm B&W t/r & Partial restoration
"Episode 4" 11 April 1970 24:37 9.3 16mm B&W t/r
"Episode 5" 18 April 1970 24:17 7.1 PAL D3 colour restoration
"Episode 6" 25 April 1970 24:31 6.9 16mm B&W t/r & Partial restoration
"Episode 7" 2 May 1970 24:32 6.4 16mm B&W t/r & Partial restoration
  • This story was initially developed to feature the Second Doctor and his last companions, Jamie McCrimmon and Zoe Heriot. As such, it was set well into the future, and did not include UNIT. When all three actors left the programme at the end of the sixth series, it was rewritten to fit the consequential revamp. Original script editor David Whitaker proved incapable of writing for the incoming new format and cast, hence the contributions of Trevor Ray, Terrance Dicks and Malcolm Hulke. All concerned parties agreed to leave sole credit to Whitaker and this was the last Doctor Who serial with his name on it. In an interview years later, Terrance Dicks recounted the experience of rewriting Whitaker's story:
One of the situations I inherited [as Doctor Who script editor] was Ambassadors of Death and the ongoing tangle with that. David Whitaker...had gone through four or five drafts and you come to a stage where you write so much it just gets worse. What was happening was that the need for the script was very urgent and I stormed into [producers] Peter [Bryant] and Derrick [Sherwin] and said, "Look, we've got five drafts of this. David's fed up with it, he doesn't know what to do. What we need to do is pay David in full and Mac [Hulke] and I will finish." And that's basically what we did. I made sure that David got a full script fee for all his episodes because he had been buggered about by the establishment and Mac and I took the bare bones of his story and almost did a "War Games" - wrote new scripts very quickly - and it shows. It had its moments though.
  • Working titles for this story included The Invaders from Mars (later the title of a Big Finish Productions audio drama), and The Carriers of Death.
  • The opening titles of this story start with the normal music and graphics, yet immediately fade after the Doctor Who title caption. There is a short "teaser" for episode one, and episodes 2-7 feature a reprise of the previous episode's cliffhanger. Starting with the "scream", followed by a zoom-in on the words "The Ambassadors", concluding with "of Death", and a "zap" effect. The experiment was not repeated after this story.
  • This was the first story to feature the sting or "scream" into the end title theme. It was added by Brian Hodgson of the BBC Radiophonic Workshop to improve and shape the closing credits.[1]

Cast notes


Cultural historian James Chapman has written about connections between this Doctor Who serial and earlier science-fiction TV programmes.[5] The Quatermass Experiment (1953), for example, has a similar storyline concerning astronauts endangering humanity after coming into contact with extraterrestrials.[5] Chapman also refers to the 1960s Gerry Anderson series Captain Scarlet and the Mysterons, whose eponymous aliens are another race of malevolent Martians.[5]

Patrick Mulkern of Radio Times noted that the script revisions caused an "uneven plot" and anticlimax, and wrote that the "narrative feels extemporised, a bumpy, sometimes thrilling ride, but one with no clear end in sight".[1] However, he praised the cliffhangers and direction as well as the acting of Pertwee and John.[1]

In print

Doctor Who book
Book cover
The Ambassadors of Death
Series Target novelisations
Release number 121
Writer Terrance Dicks
Publisher Target Books
Cover artist Tony Masero
ISBN 0-491-03712-0
Release date

21 May 1987 (Hardback)

1 October 1987 (Paperback)

A novelisation of this serial, written by Terrance Dicks, was published by Target Books in May 1987 and was the final Third Doctor serial to be adapted.

VHS, DVD and CD releases and restoration

  • Although the entire story was made on colour videotape, only the first episode was retained in this format. In fact, it is the earliest episode that survives in the series' original videotaped format, either in colour or black and white. The remaining six episodes were retained only as black-and-white film recordings and poor-quality domestic colour recordings made from a US transmission in the 1970s. This recording was severely affected by rainbow-coloured patterns of interference that at times overtake the entire picture.[6]
  • In May 2002, a restoration project for the story's VHS release combined the usable colour information from the domestic recordings with the black and white picture from the film prints, creating a high-quality colour picture. All told, over half of the serial's running time is presented in colour, including all of Episodes 1 and 5, and sections from 2, 3, 6 and 7. The remaining footage, including all of Episode 4, was deemed unsuitable for restoration, and so remained in black-and-white.
  • In 2009, a commentary for the future DVD release was recorded, including Caroline John, Nicholas Courtney, Michael Ferguson, Peter Halliday, Derek Ware and Terrance Dicks. The January 2011 edition of WIRED UK magazine, published in December 2010 carried a full-page article on the recolourisation of the story. It was stated in the article that the Restoration Team expect to deliver a fully restored colour version of the story to the BBC "within weeks".[7] In issue 430 of Doctor Who Magazine the DVD was announced but later set back due to restoration difficulties.[8] This was delayed until 2012 when Doctor Who Magazine issue 449 confirmed that the full colour version would soon be out on DVD.[9] It was later announced that the story would be released on DVD on 1 October 2012[10]
  • The original soundtrack for this serial was released on CD in the UK in August 2009.[11] The linking narration was provided by Caroline John.


  1. ^ a b c d Mulkern, Patrick (28 September 2009). "Doctor Who: The Ambassadors of Death". Radio Times. Retrieved 23 September 2012.
  2. ^ Shaun Lyon et al. (2007-03-31). "The Ambassadors of Death". Outpost Gallifrey. Archived from the original on 2008-05-18. Retrieved 2008-08-31.
  3. ^ "The Ambassadors of Death". Doctor Who Reference Guide. Retrieved 2008-08-31.
  4. ^ Sullivan, Shannon (2005-05-14). "The Ambassadors of Death". A Brief History of Time Travel. Retrieved 2008-08-31.
  5. ^ a b c Chapman, James (2006). "Earthbound: 1970-1974". Inside the TARDIS: the Worlds of Doctor Who: a Cultural History. London: I.B.Tauris. p. 84. ISBN 1-84511-163-X.
  6. ^ "Can You Help Us?". Retrieved 2011-12-14.
  7. ^ Burton, Charlie (2010). 'Time Travel TV' WIRED UK, January 2011, p74.
  8. ^ "Doctor Who News: Ambassadors Delayed". 2011-01-26. Retrieved 2011-12-14.
  9. ^ Doctor Who Magazine, Panini UK Limited issue 449 published 28 June 2012, p9
  10. ^
  11. ^ "The Ambassadors of Death @ The TARDIS Library (Doctor Who books, DVDs, videos & audios)". Retrieved 2011-12-14.

External links

Fan reviews
Target novelisation
Direct download: 268_TDP_268__The_Ambasadors_of_Death.mp3
Category:podcast -- posted at: 12:00am UTC

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Category:Information -- posted at: 1:13pm UTC

TDP 267: Smith Yr3 Ep 4 - The Power Of Three

The Cube is a BAFTA Award–winning British game show which first aired on ITV on 22 August 2009. Presented by Phillip Schofield, it offers contestants the chance to win a top prize of £250,000[1] by completing challenges from within a 4m × 4m × 4m Perspex cube. The show is based on the idea that even straightforward tasks become extremely challenging when confined and put under pressure in front of a large live studio audience. Once inside contestants can feel both claustrophobic and disorientated. Using "state-of-the-art filming techniques"[2] the show aims to demonstrate the intense anxiety which contestants undergo as they progress through each task. Colin McFarlane provides the disembodied voice of The Cube, who explains the rules of the games.

"The Power of Three"[3] is the fourth episode of the seventh series of the British science fiction television series Doctor Who that will air on BBC One and BBC One HD on 22 September 2012. It was written by Chris Chibnall and directed by Douglas Mackinnon.

The story will feature Matt Smith as alien time traveller the Doctor and his companions, Amy Pond (Karen Gillan) and her husband Rory (Arthur Darvill). It will be Amy and Rory's penultimate episode. It will also feature UNIT[1] and will celebrate Amy and Rory's time with the Doctor by telling it from their point of view and examining his influence on their lives.


The episode's title was originally reported as "Cubed",[4] but was later announced as "The Power of Three".[3] Chris Chibnall had previously written the Doctor Who episodes "42" (2007), "The Hungry Earth"/"Cold Blood" (2010), and the second episode of the series, "Dinosaurs on a Spaceship". He was also a major contributor to the spinoff series Torchwood.[5][6] "The Power of Three" is his second contribution to Doctor Who's seventh series, after "Dinosaurs on a Spaceship".[7] Chibnall described "The Power of Three" as "a lovely big Earth invasion story" but different than the ones done before, as it focused on Amy and Rory's time with the Doctor and the impact of him on their lives.[7] He stated it is told more from Amy and Rory's point of view than ever before, and is about celebrating them before they leave in the following episode.[7] Chibnall's brief from showrunner Steven Moffat was to "live with the Doctor — The Man Who Came to Dinner, Doctor Who style.[7] Chibnall was also inspired by the story of the MSC Napoli.[7] Smith put disgust into the Doctor's remark concerning Twitter in the episode, reflecting his real-life decision to stay off the social network.[8]

"The Power of Three" was filmed by itself in the series' third production block.[9] Because of this schedule, it was the final episode Gillan and Darvill filmed as Amy and Rory.[10] Their last scene filmed together was getting into the TARDIS with the Doctor; when the doors closed Gillan, Darvill, and Smith hugged and started crying.[11][12] Some exterior scenes at Amy and Rory's house were re-shot in June and July 2012, with Darvill briefly returning for the June re-shoot.[4][13]


  1. ^ a b c d e "Doctor Who Series 7 News Accumulator". SFX. 14 August 2012. Retrieved 18 August 2012.
  2. ^
  3. ^ a b "The Power of Three and The Angels Take Manhattan". BBC. 15 August 2012. Retrieved 16 August 2012.
  4. ^ a b "Doctor Who Series 7: New Episode 4 Reshoot Pics". SFX. 2 July 2012. Retrieved 18 August 2012.
  5. ^ Golder, Dave (8 February 2012). "Two Writers Confirmed For Doctor Who Series 7". SFX. Retrieved 18 August 2012.
  6. ^ "The Hungry Earth: The Fourth Dimension". BBC. Retrieved 18 August 2012.
  7. ^ a b c d e Cook, Benjamin (26 July 2012). "Life with the Doctor". Doctor Who Magazine (Royal Tunbridge Wells, Kent: Panini Comics) (450): 36-39.
  8. ^ Mulkern, Patrick (15 August 2012). "Doctor Who premiere — new title sequences, Matt Smith on Twitter and a Big Surprise". Radio Times. Retrieved 18 August 2012.
  9. ^ Doctor Who Magazine (Royal Tunbridge Wells, Kent: Panini Comics) (446). 5 April 2012.
  10. ^ Hogan, Michael (14 August 2012). "Karen Gillan 'in denial' about leaving Doctor Who". The Daily Telegraph. Retrieved 18 August 2012.
  11. ^ Eames, Tom (19 July 2012). "'Doctor Who' stars: There were tears after final scenes together'". Digital Spy. Retrieved 18 August 2012.
  12. ^ Fulton, Rick (18 May 2012). "Karen Gillan talks tears at end of Dr Who and her excitement at making new Scots film". Daily Record. Retrieved 18 August 2012.
  13. ^ "Doctor Who Series 7: New Official Pic & New Filming Pics". SFX. 8 June 2012. Retrieved 18 August 2012.



All of the games take place from inside The Cube. Contestants are set a task to complete which can range from testing their agility to more simple procedures such as stopping a stopwatch after 10 seconds or building a tower of blocks. If they successfully complete the task, they will move up the money ladder and closer to the top prize. Each contestant is given nine lives. Each time a contestant fails a game, one life is lost, and the contestant must repeat the game. Any contestant who runs out of lives while trying to win a game loses all of the money he or she accumulated. Contestants may stop after any game and take the money they have won, but once a contestant decides to play, he or she cannot back out until after completing that game. Before each game, there is a short demonstration by "The Body", a faceless female character described as an expert in all the games. Her demonstrations allow the contestant to see how the game is played and formulate a strategy to succeed. Her face has not been seen; her outfit is a metal plate over her face, revealing just shoulder-length hair, and at one time, she lifted part of the mask, revealing her mouth and chin, to demonstrate Drift.

1 £1,000
2 £2,000
3 £10,000
4 £20,000
5 £50,000
6 £100,000
7 £250,000

The Cube offers each contestant two aids, each of which may be used only once. They may use a Simplify, which will make a certain game easier to complete. It remains in effect for all future attempts of the game until the contestant completes it. They also have the aid of a Trial Run, which is only available from the second game onwards. It gives the contestant a chance to attempt the game without any consequences. Even if the contestant completes the game, to advance to the next game, they must complete it again under the usual circumstances. However, if the contestant fails to complete the game, they will not be penalised for it. To assist contestants in making a decision on whether to play a game, the host can provide the player with statistics about the game they are facing, such as the average number of lives it takes for players to win the game, the percentage of people that completed the game on their first try, or whether one group of people was better at the game than another. With the exception of four episodes (two of which are Celebrity Specials), each episode generally features two contestants.


Objective Productions first approached Channel 4 in 2008 with the format. It was made into a non-televised pilot by the channel,[3] and was hosted by Justin Lee Collins. Channel 4 eventually decided not to commission the show because it would have been too expensive.[4] In February 2009, ITV purchased the rights to the show and filming began during April 2009 at Wembley's Fountain Studios. The Cube is one of the first shows to use the game freeze filming technique on a frequent basis, such as when a contestant jumps. Using specially designed cameras, it allows the viewer to see one side of the Cube before the action is frozen, spun to another face of the Cube and then resumed. Slow-motion shots are again common to show action replays of the task a contestant just completed, or the critical moment of a game, to heighten the excitement of whether the contestant will succeed or fail. The show makes extensive use of CGI to project images onto the walls and ceiling of the Cube, while a screen on the floor is also capable of showing images. These film techniques make the seemingly simple tasks that are put before the contestants seem much more exciting than they would normally be.

The 5th and 6th series of The Cube were filmed from 26 January 2012. On 30 January, long-distance runner, Mo Farah took part in filming an Olympian special - which aired on Saturday 14 July. He became the first £250,000 jackpot winner with six lives remaining.[5] Filming is known to be taking place as Schofield has annnouced it on Twitter. Additionally, filming of series 5 was announced on This Morning on 6 February 2012.

Celebrity specials

Celebrity specials of The Cube so far feature two contestants in each episode, except for two specials. Celebrity contestants that are defeated by The Cube are given £1,000 for their charities.

Dame Kelly Holmes played The Cube but only took £1,000 for DKH Legacy Trust. Jenni Falconer won £20,000 for Breast Cancer BC2000.

Joe Swash played for the Ben Kinsella Trust, he lost a game but took £1,000 away for them. Kelly Osbourne took £10,000 from the Cube for The Prince's Trust.

Coronation Street star Jennie McAlpine lost against The Cube but took £1,000 for Mood Swing. Boxer Ricky Hatton played and won £20,000 for Genesis Breast Cancer.

McFly star Tom Fletcher (the first celebrity that took a whole episode) won £100,000, splitting it between 2 charities, Comic Relief and BIRT .

In a Coronation Street special of The Cube on Christmas Eve of 2011, Julie Hesmondhalgh took £20,000 for Maundy Relief and Ryan Thomas played for Christie's and won £10k for them.

In an Olympians special Denise Lewis took away £10,000 from The Cube for her charity Breast Cancer Care and Sally Gunnell won £20,000 for Chestnut Tree Children's Hospital

In the third edition of the Olympians Specials Fatima Whitbread took away £20,000 for 21st Century Youth and Dai Greene won £50,000 for his charity.

Other celebrities who took in The Cube in January were Ashley Banjo and David Haye. These episodes will also air later this year on ITV1.


In the first series, Jonny Lowery became the first person to reach the final game, having only three lives left. For his final game, he was given a more difficult version of Direction, the first game he faced in The Cube, losing three lives and using his Simplify. In the more difficult version, the path had been narrowed to just 20 centimetres. He decided to leave with £100,000.

In the second series, Paul McDonald became the second person to reach the final game, having five lives left. For his final game, he was given a more difficult version of Structure, in which he had to build a construction of blocks within a time limit of twelve seconds, three seconds less than his original attempt. He also decided to leave with £100,000.

In the third series, Tom Fletcher of boyband McFly managed to reach the final game, having four lives left. For his final game, he was given a more difficult version of Barrier, in which he had to cross three barriers instead of the original two. He also decided to leave with £100,000. The Fourth person to get to the final game was Luke who was given a more difficult version of Rebound. At the jackpot setting the target zone the ball had to land in was reduced by a significant amount but he also left with £100,000.

Teresa was the first person to retire from the game due to injuring her foot in celebration after completing Dual Reflex.

In the fifth series, Mo Farah, Olympic 5000 and 10000 metre runner, managed to not only reach the final game but also played the game, starting the final game with seven lives left (He had lost two lives in his first game Response.). For his final game, he guessed that Response would be his final game but was given a more difficult version of Barrier instead, in which he had to cross three barriers instead of the original two, which he had previously beaten on his first attempt. He won £250,000 only losing one more life in the final game.

Defeated contestants

So far, eighteen contestants have lost all their lives:

  • Rhian lost £2,000 on the first episode of Series 1 playing Drop Zone.
  • Martin lost £20,000 on the third episode of Series 2 playing Side-Track.
  • Alex lost £2,000 on the fifth episode of Series 2 playing Descent.
  • Christian lost £20,000 on the eighth episode of Series 2 playing Pinpoint.
  • Zoe lost £1,000 on the ninth episode of Series 2 playing Stabilise.
  • Dame Kelly Holmes lost £1,000 on the tenth episode of Series 2 playing Gradient.
  • Joe Swash lost £20,000 on the eleventh episode of Series 2 playing Pinpoint.
  • Jennie McAlpine lost £1,000 on the twelfth episode of Series 2 playing Blind-Shot.
  • Paul lost £2,000 on the first episode of Series 3 playing new game Vault.
  • Aaron lost £2,000 on the fourth episode of Series 3 playing Cylinder.
  • Yolanda lost £10,000 on the fifth episode of Series 3 playing Spike.
  • Debbie lost £10,000 on the second episode of Series 4 playing Tilt.
  • Sarah lost £1,000 on the third episode of Series 4 playing Revolving Shot.
  • Jim lost £10,000 on the fourth episode of Series 4 playing Shatter.
  • Isaac lost £2,000 on the fifth episode of Series 4 playing Placement.
  • Karen lost £20,000 on the fifth episode of Series 4 playing Construction.
  • Neil lost £1,000 on the seventh episode of Series 4 playing Pendulum.
  • Graham lost £2,000 on the fourth episode of Series 5 playing Succession.

Top prize winner (£250,000 - Beat The Cube)

  • Mo Farah: Celebrity special - Mo Farah Foundation; 6 lives remaining - 14 July 2012 [6]


The games are placed in the categories by when they were first introduced. If the game has been played at any other levels, the levels they have been played at have been placed in brackets. When The Cube was first made, 50 games were designed. However, they have added new games every new season. Currently, there are a total of 124 different games that have been played so far. Games featured in the show so far include:

On The Cube board games, there are games that aren't played on shows such as Bullseye Throw - they had to launch a ball of a catapult thrower so it goes through a small ring without making contact.


SeriesStart dateEnd dateEpisodes
1 22 August 2009 3 October 2009 7
2 19 September 2010 2 January 2011 12
3 3 April 2011 11 June 2011 9
4 30 October 2011 31 December 2011 9
5 14 April 2012


Episode ratings from BARB.[7]

Series 1

Episode No.AirdateTotal ViewersITV1 Weekly Ranking
1 22 August 2009 5,850,000 11
2 29 August 2009 5,120,000 11
3 5 September 2009 5,260,000 15
4 12 September 2009 5,060,000 15
5 19 September 2009 4,830,000 17
6 26 September 2009 4,810,000 20
7 3 October 2009 4,710,000 19

Series 2

Episode No.AirdateTotal ViewersITV1 Weekly Ranking
1 19 September 2010 4,980,000 15
2 26 September 2010 5,090,000 16
3 3 October 2010 5,780,000 16
4 10 October 2010 5,190,000 18
5 17 October 2010 5,210,000 20
6 24 October 2010 5,510,000 17
7 31 October 2010 5,210,000 18
8 7 November 2010 5,510,000 17
9 14 November 2010 5,530,000 19
10 21 November 2010 5,420,000 22
11 18 December 2010 3,920,000 22
12 2 January 2011 4,180,000 20

Series 3

Episode No.AirdateTotal ViewersITV1 Weekly Ranking
1 3 April 2011 3,640,000 22
2 10 April 2011 3,310,000 24
3 17 April 2011 3,320,000 23
4 24 April 2011 2,770,000 27
5 1 May 2011 3,500,000 24
6 8 May 2011 3,940,000 18
7 15 May 2011 4,020,000 17
8 22 May 2011 3,960,000 18
9 11 June 2011 3,350,000 22

Series 4

Episode No.AirdateTotal ViewersITV1 Weekly Ranking
1 30 October 2011 3,960,000 20
2 6 November 2011 4,000,000 20
3 13 November 2011 4,080,000 26
4 20 November 2011 4,060,000 23
5 27 November 2011 4,080,000 20
6 4 December 2011 4,090,000 21
7 11 December 2011 3,190,000 25
8 24 December 2011 4,960,000 16
9 31 December 2011 2,870,000 29

Series 5

Episode No.AirdateTotal ViewersITV1 Weekly Ranking
1 14 April 2012 3,990,000 14
2 21 April 2012 2,780,000 28
3 28 April 2012 2,820,000 25
4 5 May 2012 3,140,000 24
5 12 May 2012 3,000,000 30
6 2 June 2012 3,450,850
7 14 July 2012 5,415,240 24
8 21 July 2012 4,587,120

International versions

CountryNameHostChannelTop prizePremiere/air dates
 China 梦立方
Dream Cube
Cheng Lei Dragon TV To achieve the contestant's dream[8] 13 May 2012
 Germany The Cube–Besiege den Würfel! Nazan Eckes RTL 250,000 29 April 2011[9]
 Italy The Cube - La Sfida Teo Mammucari Italia 1 100,000 7 September 2011[10]
 Portugal O Cubo Jorge Gabriel RTP 30,000 16 May–11 July 2010
 Saudi Arabia المكعب
Al Moukaab
Faisal Al Issa Saudi TV 1 SR250,000 24 March–8 July 2010
 Spain El Cubo Raquel Sánchez Silva Cuatro 150,000 8 February 2012[11]
 Ukraine Куб
Maksim Chmerkovskiy STB 250,000 21 November 2011[12]
 United States The Cube Neil Patrick Harris CBS $500,000 2010 Pilot


An electronic board game based on the series was made available in stores from November 2010.[13] As of June 2011, the game has been discontinued by most main retailers.[14] The game comes with an electronic handheld system featuring games such as Time Freeze and Stop Zone, as well as 9 balls- six 18mm blow moulded balls, 1 30mm EVA foam ball, 1 25mm hard ball and one 50mm hard ball. The balls are used for different reasons and the foam ball is used for most games with a ball. For Multisphere, all balls are used unless it is being played in a room with hard floors, in that case eight balls are used. Tubes are used for almost evry physical game for starting positions, voids, tubes, towers and columns. Other equipment in the board game are track pieces, discs, clips, z shaped platform pieces, cannons, blocks, a ball flipper, a beam and card pieces,and a 7x7x7 plastic cube for playing a series of sixty physical games. The cube is used for a conatiner and to connect onto the cube platform for the electronic games. A reducer also comes with the cube allowing it to reduce the size of it. The Simplify for games with the reducer generally remove it. Many well known and classic games are here as well as new games, everyday life games and interesting and complex games. Around the time of the release of the board game, a computerised version of the series was made available via the iTunes store for use on the iPod and iPhone. This version features eighteen games from the series: Angular, Balance, Cylinder, Descent, Drop Zone, Focus, Multisphere, Perimeter, Precision, Pulse, Quantity, Reaction, Revolution, Shatter, Stabilise, Stop Zone, Time Freeze and Velocity. An update for the game was made available in January 2011, adding a further free game, Succession, and making four further games available at a cost: Exact, Pathfinder, Totalise and Tower.[15] A second update was made available in March 2011, adding a further free game, Axis, and making four further games available at a cost: Invert, Composure, Calculate and Classify. A free online game has also been created, allowing viewers to attempt three games for free. The games that are available are Stop Zone, Cylinder and Multisphere. The player starts with three lives and has three attempts to beat The Cube. Players also have the opportunity to save their high scores in the games and also use Facebook to challenge friends.[16] On October 5 a Cube game will be released on consoles for the first time. Nintendo 3DS has games such as Vault, Calculate, Pendulum and Pathfinder and many more. If you beat the Cube, then you unlock Extreme Mode, Where you play games never seen on TV. Features: The Body and The Voice on the Hit Show. Demonstrations of each Game. Features 33 games. Extreme Mode includes not seen challenges. Profiles letting multiple people track their wins and losses. Stats for each game. Multiplayer and Head to Head modes. The features are the same for Wii. The PS3 version is different to the 3DS and Wii because you have more ways to play. The PS3 version has games like Memory Flash, Dead Stop, Accelerate, Perimeter, Reflex, Drop Shot and many more. Here are features of the PS3 version of the Cube! Includes the Voice and the Body featured in the hit show. Cut scene demonstration for each game. Features 30 games. Extra DLC available for 10 more challenges. Extreme Mode which includes never seen challenges. Profiles making multiple players track their wins and losses. Stats for each game showing average lives used. Multiplayer Challenge and Head to Head modes. PlayStation Move compatible.


Direct download: TDP_267_The_Power_of_Three.mp3
Category:podcast -- posted at: 7:34am UTC

TDP 266: Big Finish Main Range - Black and White
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Big Finish Productions audio play
Black and White
Series Doctor Who
Release number 163
Featuring Seventh Doctor
Writer Matt Fitton
Director Ken Bentley
Set between Project: Nirvana and
Gods and Monsters
Release date August 2012

Black and White is a Big Finish Productions audio drama based on the long-running British science fiction television series Doctor Who. As with all Doctor Who spin-off media, its relationship to the televised serials is open to interpretation.



The search for the Doctor continues. The Black TARDIS brings Ace and Aristedes to the setting of the classic, epic, Anglo-Saxon poem, Beowulf. The White TARDIS brings Hex and Sally to the same location, but sixteen years later.



  • This is the sixth and final story in the Black TARDIS story arc.
  • Aristedes was first heard in the 2010 story, Project Destiny, where she was working for The Forge, just before its destruction.
  • Sally met the Doctor in the 2011 story House of Blue Fire. She also features in Project: Nirvana, alongside Captain Aristedes.
  • The exterior of the TARDIS was rendered white during the events of the 2009 story, The Angel of Scutari. It remained as such in the stories, Project: Destiny, A Death in the Family, Lurkers at Sunlight's Edge and Protect and Survive.
  • Ace and Hex discovered that the Doctor was missing at the start of the previous story, Protect and Survive.
  • The TARDIS with the black exterior was inexplicably seen in a trilogy of solo Seventh Doctor stories, Robophobia, The Doomsday Quatrain and House of Blue Fire, which, for the Doctor, take place between Lurkers at Sunlight's Edge and Protect and Survive. It is also in Project: Nirvana, which takes place just before Black and White.
  • Aristedes recalls unheard adventures with the Doctor and Sally, fighting Elder Gods such as The Animus (encountered by the First Doctor in the television story The Web Planet) and The Great Intelligence (encountered by the Second Doctor in the television stories The Abominable Snowmen and The Web of Fear). She also mentions The Mi’en Kalarash, which Sally fought in House of Blue Fire. Ace recalls her encounter with The Celestial Toymaker in the audio The Magic Mousetrap.
  • The Fast Return Switch was used in the 1964 First Doctor television story, The Edge of Destruction. It has also featured in Big Finish audios such as Seasons of Fear and Neverland.
  • The Doctor is heard in several scenes that take place at other points in time. He is heard obtaining the Black TARDIS, just after the events in Alaska in Lurkers at Sunlight's Edge. He is then heard taking it on its first three trips, (Robophobia, The Doomsday Quatrain and House of Blue Fire). He is also heard recruiting Sally, in a scene taken from the end of House of Blue Fire. And he is heard recruiting Captain Aristedes, just after House of Blue Fire.


External links

Direct download: 266_TDP_266__Big_Finish_Main_Range_-.mp3
Category:podcast -- posted at: 2:30pm UTC

TDP 265: Smith Yr3.3 A Town Called Mercy

info to follow

Direct download: 265_TDP_265__Smith_3.3_A_Town_Called.mp3
Category:podcast -- posted at: 7:30pm UTC

TDP 264: The Blue Tooth (CC 01.03)


"I suppose that was one of the Doctor's most endearing qualities: the ability to make the bizarre and the terrifying seem utterly normal."
When Liz Shaw's friend Jean goes missing, the Doctor and U.N.I.T. are drawn to the scene to investigate. Soon Liz discovers a potential alien invasion that will have far-reaching affects on her life… and the Doctor is unexpectedly re-united with an old enemy…


Written By: Nigel Fairs
Directed By: Mark J Thompson


Caroline John (Liz Shaw), Nicholas Briggs (The Cybermen)


On a rare day off from her duties at UNIT, Liz Shaw decides to visit her friend Jean Basemore at Oakington, near Cambridge. However, Jean stands her up for their lunch, and is not to be found at her cottage: all that is there is Jean's cat and a television set — both extensively chewed. Liz telephones the Doctor, who is already on his way to Cambridge — UNIT is investigating several missing scientists. The investigation leads to the home of a cleaner, and the Doctor notices that both the cleaner and Jean had recently received reminder notices from their dentist. While the Doctor and Brigadier Lethbridge-Stewart investigate a suicide at the train station, Liz visits the dentist, Mr. Arnold. Her plans to investigate are thwarted by hypnotic music which sends her to sleep, and when she awakens, dazed and confused, she's had a new filling put in. The Doctor tells her that the dead man at the train station was the cleaner whose home they had visited earlier, and an examination of his body reveals that much of his flesh had been turned into a strange blue metal. As Liz examines the body, she notices that the flesh and bone are still transforming into the alien metal — and then she discovers that the body is full of small robots, like silverfish, which are excreting a blue liquid. One of the creatures attacks a UNIT soldier, and burrows into its flesh. Sergeant Benton attempts to shoot the creatures, but to no avail. In a last-ditch effort, Liz sprays the creatures with a fire extinguisher, which freezes them.

The Doctor identifies the creatures as Cybermats, and explains that the blue liquid is a living metal which converts human flesh into cybernetic parts — it is Cyberman technology, but the Doctor has not seen it's like before. Liz's new filling is made of the same blue metal. The Doctor synthesizes an agent, based on the phosphates in the fire extinguisher, which will halt the growth of the metal. It kills the Cybermat which had burrowed into the UNIT soldier's leg, but his leg is destroyed as well. The Doctor gives Mike Yates instructions on how to create a more precise version of the agent, which will be able to be used as an antidote to revert the conversion process.

Under a mental compulsion, Liz returns to Oakington. She awakens in a buried spaceship, standing in a Cyber-conversion chamber. There, she sees her friend Jean, half-converted into a Cyberman. Jean apologizes for missing their lunch date, and begs Liz to kill her. Horrified, Liz can only watch as Jean is transformed into a Cyberman. The Doctor converses with the lead Cyberman, and realizes that the Cyberman ship had crashed on Earth years earlier, as a scout ship intended to prepare for a Cyberman invasion. Escaping with the aid of the sonic screwdriver, the Doctor and Liz discover the bridge of the Cyber-ship, where a dead, legless Cyberman is found at the helm. The Doctor realizes that the lead Cyberman was a human who had discovered the Cyber-ship and experimented with what he found there — including the blue metal. The Doctor attempts to reach the humanity in the lead Cyberman, who was once a man named Gareth Arnold. Arnold was converted by the blue metal, an experimental Cyberman technology. As the Cybermen threaten the Doctor and the blue metal in Liz's tooth begins to spread into her jaw, the Doctor uses the crude version of his antidote on the Arnold Cyberman, killing him. The other Cybermen return to their cubicles, awaiting instructions. Liz loses consciousness.

She awakens in Jean's cottage, where the Doctor completes the treatment with the advanced version of the conversion antidote. Aside from a missing tooth and some pain in her jaw, she is fine — although somewhat upset to discover that there had been a tiny Cybermat contained in the filling. But, to the Doctor's dismay, the Brigadier has converted the early, crude version of the antidote into a weapon, and uses it to destroy the remaining Cybermen.


Direct download: 264_TDP_264__The_Blue_tooth_from_Big.mp3
Category:podcast -- posted at: 12:30am UTC

TDP 263: Smith Yr3.2 Dinosaus on a Spaceship

"Dinosaurs on a Spaceship" is the second episode of the seventh series of the British science fiction television series Doctor Who, which first aired on BBC One in the UK on 8 September 2012. It was written by Chris Chibnall and directed by Saul Metzstein.

The episode featured alien time traveller the Doctor (Matt Smith) and his companions Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill) accompanied by Rory's father Brian (Mark Williams), Queen Nefertiti (Riann Steele), and John Riddell, an English big-game hunter (Rupert Graves). The group landed on a large spaceship that contains dinosaurs.



When in Egypt with Queen Nefertiti, the Doctor receives a call about a spaceship which will crash into Earth in six hours. Taking Nefertiti with him, he picks up Edwardian explorer John Riddell and his companions Amy and Rory ten months after he last saw them in "Asylum of the Daleks", accidentally taking Rory's father Brian on the TARDIS as well. They land on the spaceship and come face-to-face with ankylosaurus dinosaurs.[1]

The Doctor and his companions discover that the ship is a Silurian ark designed to carry the reptilian humanoids to a new planet along with flora and fauna from their time period. After escaping from a group of pterodactyls, the Doctor, Rory, and Brian are escorted by two robots to a human called Solomon who was injured in a raptor attack. Solomon, who had boarded the spaceship and killed its inhabitants in order to sell the dinosaurs on board, threatens the Doctor into repairing his legs and into giving him Queen Nefertiti after seeing her value.

Missiles are fired from Earth to stop the ship from crashing. The Doctor disables Solomon's robots and rescues Nefertiti before he tricks the missiles into targeting Solomon's ship and detaching it from the Silurian ark. Meanwhile, Rory and Brian pilot the ark away from the Earth.

The Doctor then takes the Ponds back home after letting Brian view the Earth from orbit. The episode ends after showing that Brian Williams has now taken to travelling across the planet.


Showrunner Steven Moffat said that putting dinosaurs on a spaceship was "the secret of success".[1] The idea to use dinosaurs in Doctor Who came from the special effects teams The Mill and Millennium FX.[2] As "Asylum of the Daleks" was a darker opening episode, "Dinosaurs on a Spaceship" is more about fun.[3] In Moffat's pitch to writer Chris Chibnall, he proposed, "Maybe it's a ship heading towards Earth, and Earth is on alert".[4] Chibnall had previously written the Doctor Who episodes "42" (2007), "The Hungry Earth"/"Cold Blood" (2010), as well as work for the spinoff series Torchwood.[5][6] The Doctor had previously encountered dinosaurs in the 1974 serial Invasion of the Dinosaurs.[7]

Chibnall suggested including a "bonkers" gang of characters picked from around time and space.[4] He felt that Doctor Who could have "collisions of characters that no other show in the world can do", and that it was about finding a "disparate" group of characters who would "bounce" off each other.[3] Chibnall asked to introduce Rory's father, as Amy and Rory would be leaving in four episodes and Rory's family life had not been explored yet.[2] Rupert Graves, who played an Edwardian hunter in this episode, previously worked with Moffat on the BBC series Sherlock.[8] David Bradley's character, Solomon, was modelled on a "well-known nightclub owner with long hair".[9] Chibnall described him as "half businessman, half Somali pirate".[4]

"Dinosaurs on a Spaceship" and the following episode, "A Town Called Mercy", were the first episodes to be produced for the seventh series, both directed by Saul Metzstein.[10] The two episodes are Metzstein's first Doctor Who credits.[11] The production team had to be mindful of the series' budget when planning the effects and sets; Chibnall commented that "it would be very easy to spend £300m on this but we don’t have it".[2] As such, the dinosaurs could not dominate the episode, and Chibnall had to tell "a big other' story".[3] The episode contains one of the biggest sets ever built for the show.[12] Some scenes were also filmed at Southerndown beach, Vale of Glamorgan in late February 2012.[7][13][14] The beach had previously been used as "Bad Wolf Bay" in "Doomsday" (2006) and "Journey's End" (2008), and as the planet Alfava Metraxis in "The Time of Angels"/"Flesh and Stone" (2010).[15] A preview clip of the episode was released at the 2012 San Diego Comic-Con International.[1] Smith had to wear padded trousers when riding the dinosaurs, and recalled it was "a painful couple of hours, a laugh though and definitely worth it".[16] The dinosaurs in the episode were built from scratch, and are a variety of "favourites".[3]


  1. ^ a b c Edwards, Richard (15 July 2012). "Doctor Who At Comic-Con". SFX. Retrieved 16 July 2012.
  2. ^ a b c Mulkern, Patrick (2 September 2012). "Doctor Who - Dinosaurs on a Spaceship preview: "Fun was absolutely The Big Brief!"". Radio Times. Retrieved 2 September 2012.
  3. ^ a b c d Golder, Dave (3 September 2012). "Doctor Who "Dinosaurs on a Spaceship" Writer Chris Chibnall Interviewed". SFX. Retrieved 3 September 2012.
  4. ^ a b c Cook, Benjamin (26 July 2012). "Life with the Doctor". Doctor Who Magazine (Royal Tunbridge Wells, Kent: Panini Comics) (450): 36-39.
  5. ^ Golder, Dave (8 February 2012). "Two Writers Confirmed For Doctor Who Series 7". SFX. Retrieved 18 August 2012.
  6. ^ "The Hungry Earth: The Fourth Dimension". BBC. Retrieved 18 August 2012.
  7. ^ a b Berriman, Ian (2 August 2012). "Doctor Who Series 7 Trailer Analysis". SFX. Retrieved 2 August 2012.
  8. ^ Jeffery, Morgan (22 February 2010). "'Doctor Who' series seven filming begins — Picture". Digital Spy. Retrieved 20 July 2012.
  9. ^ Golder, Dave (27 July 2012). "David Bradley Talks About His Doctor Who Role". SFX. Retrieved 28 July 2012.
  10. ^ Jeffery, Morgan (9 February 2012). "'Doctor Who' to resume filming this month, Saul Metzstein to direct". Digital Spy. Retrieved 20 July 2012.
  11. ^ Golder, Dave (11 February 2012). "Doctor Who series 7: First Director Named". SFX. Retrieved 20 July 2012.
  12. ^ Doctor Who Magazine (Royal Tunbridge Wells, Kent: Panini Comics) (446). 5 April 2012.
  13. ^ Wilkins, Alasdair (24 February 2012). "What's Next for Game of Thrones, Fringe and Doctor Who". io9. Retrieved 2 August 2012.
  14. ^ McGloin, Matt (23 February 2012). "Doctor Who Season 7 Returns to "Bad Wolf Bay" Filming Location". Cosmic Book News. Retrieved 2 August 2012.
  15. ^ "Southerndown beach, Vale of Glamorgan". BBC. Retrieved 2 August 2012.
  16. ^ Bowie-Sell, Daisy (15 August 2012). "Stephen Moffat: bringing Daleks back to Doctor Who was easy decision". The Daily Telegraph. Retrieved 18 August 2012.
Direct download: 263_TDP_263__Smith_3.2_Dinos_on_a_Sp.mp3
Category:podcast -- posted at: 8:00pm UTC

TDP 262: ian levine on DWO Whocast
From Wikipedia, the free encyclopedia
Jump to: navigation, search

Ian Levine (born 22 June 1953,[1] in Blackpool, Lancashire) is an English songwriter, producer, and DJ. He is also a well-known fan of the long-running television show Doctor Who.

Levine attended Arnold (House) School in Blackpool from 1963 to 1970. In 1996 Levine traced over 660 members of his own family on his mother's side and organised the enormous Cooklin family reunion, on 21 July in London. This has been called the biggest family reunion of all time[citation needed], and was covered on the BBC Evening News, and, extensively, in The Jewish Chronicle.

Between 1997 and 1999 Ian Levine produced and directed the documentary film The Strange World of Northern Soul, an anthology of the underground music cult. This was a video box set, containing over 12 hours of footage with booklet and CD, and incorporating 131 performances by the legendary American soul acts who had, in most cases, never been filmed before. The event premiered at the King George's Hall in Blackburn to an audience of 1300 in July 1999. The Strange World of Northern Soul was released on DVD as a six-disc box set, replete with extras, in 2003.

In May 2000, Levine organised the reunion of his entire school class from the 1960s at Arnold School in Blackpool. All 30 members of class 3A were found and brought together to experience lessons, P.E. in the gym, a rugby match, and an assembly with their original teachers, all in original style school uniform. The reunion was filmed and shown by the BBC.[1]


Music career

Levine is most noted for his work in the music genres of pop, soul, disco, and Hi-NRG.

Earlier in his career he was a disc jockey at the Blackpool Mecca, and became an avid collector of soul, R&B, and Northern Soul records. In the mid-1970s he also produced for disco, leading into the genre's evolution into Hi-NRG.

Levine was also a resident DJ at the legendary gay disco Heaven, an important venue in 1980s gay London.

He and songwriting partner Fiachra Trench were among the main figures in the development of the Hi-NRG style and its moderate success in North America, writing and producing "So Many Men, So Little Time" by Miquel Brown (two million sales), and "High Energy" by Evelyn Thomas (seven million sales).

During the 1980s and 1990s he mixed a number of dance-pop hits for a variety of artists, including Pet Shop Boys, Erasure, Kim Wilde, Bronski Beat, Amanda Lear, Bananarama, Tiffany, Dollar and Hazell Dean. He also founded his own groups: Seventh Avenue, which featured two members of Big Fun; Optimystic; and Bad Boys Inc.

He also wrote and produced for the successful UK boy band Take That, and for The Pasadenas. He has written and produced several TV themes including "Discomania", "Gypsy Girl", "ITV Celebrity Awards Show", "Christmasmania" and "Abbamania".

In 1987, Levine began recording some former artists from Motown. By 1989 the project had grown in size and a reunion of 60 Motown stars in Detroit, Michigan, outside the original Hitsville USA building, attracted attention from several media outlets. Motorcity Records was launched as a record label, initially distributed by PRT and later Pacific, then Charly and finally Total/BMG. By the time the project ended in the mid 1990s, over 850 songs had been recorded by 108 artists who had all been formerly signed to Motown. As an album range, the project continues to be released to this day, but the most successful single was by an artist who hadn't recorded for twenty three years, Frances Nero, with "Footsteps Following Me", co-written with Levine and Ivy Jo Hunter, the man who wrote "Dancing in the Street".

In 2007, Levine formed the label Centre City Records, on which he has released four albums: Northern Soul 2007, Disco 2008, Yesterday and Tomorrow (a collection of his 30 greatest hits, re-interpreted by his current roster of artists) and Northern Soul 2008.

In 2010 Ian Levine formed a new boy band called "Inju5tice". The band launched their career with the song "A Long Long Way From Home" which was a commercial failure. Ian backed away from the project shortly after. Inju5tice later went on to become ELi'Prime.

Doctor Who

Levine is well known as a fan of the BBC science fiction television series Doctor Who. Levine was, in part, responsible for the return of a number of missing episodes of the show to the BBC's archives, and was involved in stopping the destruction of further serials after he learnt that they were being discarded. He also retained many off-air recordings.

An unofficial continuity consultant during the early 1980s,[2] some observers have speculated that the Abzorbaloff monster played by Peter Kay in the Doctor Who episode "Love & Monsters" was based on Levine and reflects his role in fandom.[3][4] The Abzorbaloff design was created by Blue Peter "Design a Doctor Who Monster"-winner William Grantham.

"Doctor in Distress"

In 1985, when the BBC announced that the series would be placed on an eighteen-month hiatus, and the show's cancellation was widely rumoured, Levine gathered a group of actors from the series, together with a number of minor celebrities, to record a protest single called Doctor in Distress. The participants included the series' two lead actors, Colin Baker and Nicola Bryant, as well as other actors associated with the series such as Nicholas Courtney and Anthony Ainley. Also involved were members of the bands Bucks Fizz, The Moody Blues and Ultravox. Hans Zimmer was one of the musicians involved in the record's production. Levine has since claimed that the song was originally the brain child of Gary Downie, a production manager at the BBC and partner of John Nathan-Turner, the producer of the show at the time.

The single was released under the name “Who Cares?”, and was universally panned. Levine himself said later, "It was an absolute balls-up fiasco. It was pathetic and bad and stupid. It tried to tell the Doctor Who history in an awful high-energy song. It almost ruined me.”[5]

Later history

In recent years he has claimed that he co-wrote the Season 22 story Attack of the Cybermen with series script editor Eric Saward, although the writer's credit is officially given to “Paula Moore”, a pseudonym for Saward's then girlfriend, Paula Woolsey. Levine's claim is that he wrote the story outline and that Saward wrote the script, with Woolsey contributing nothing.[1][6]

This version of events was flatly denied by Eric Saward in a Doctor Who Magazine interview, as well as by Woolsey herself when she was interviewed by David J. Howe, Mark Stammers and Stephen James Walker for their series of Doctor Who reference books. Levine at one time worked in close collaboration with the Doctor Who Restoration Team on various DVD releases of classic Doctor Who serials, though he no longer produces documentaries for them.

Levine's efforts to locate missing episodes of Who continue. On 20 April 2006, it was announced on the BBC children's show Blue Peter that Levine would purchase a life-sized Dalek for anyone who would return one of the 108 missing episodes; details were provided on Blue Peter's website.[7]


Ian Levine has also been responsible for producing a number of extras on the Doctor Who DVD releases: the documentaries "Over the Edge" and "Inside the Spaceship" were included on the 3-disc set "The Beginning", while "Genesis of a Classic" appeared on the release for Genesis of the Daleks. Levine has also contributed to many other classic series DVDs, appearing as an in-vision interviewee on occasions, and by allowing the Restoration Team access to his private collection of rare studio footage and off-air recordings.

K-9 and Company

He also composed the theme music for K-9 and Company, an unsuccessful pilot for a proposed Doctor Who spin-off series featuring the robotic dog and Sarah Jane Smith.

American comic books

Levine also possesses one of the world's great collections of American comic books. He claims to have the only complete set of DC Comics in the world, with at least one copy of each DC comic book sold at retail (i.e., not including promotional or giveaway comics) from the 1930s to present.[1][8] The last vintage comic book he obtained for his collection was a copy of New Adventure Comics #26, which he acquired at the San Diego Comic-Con in July 2005.

Although Levine's complete DC comic book collection does not include all of the hundreds of different promotional (non-retail) and giveaway comic books that DC released over the decades (the particular identifying information for many of them has been lost due to DC not retaining decades-old licensing information), his DC promotional and giveaway collection contains the vast majority of all of the DC promotional and giveaway comic books currently known to have existed, and is perhaps the most complete DC promotional and giveaway collection currently in existence.[9] The writer and comic book expert Paul Sassienie began cataloging, grading and certificating 'The Ian Levine' collection in May 2011.


  1. ^ a b c d Levine, Ian (7 February 2007). "Ian Levine CV". Ian Levine's MySpace blog. Retrieved 11 October 2010.
  2. ^ Bailey, David (1 April 2009 (cover date)). "The Fact of Fiction: Logopolis". Doctor Who Magazine (Royal Tunbridge Wells, Kent: Panini Comics) (406): 57.
  3. ^ Phipps, Tim (8 August 2006). "Happy Times and Places: "Love and Monsters"". Strange Horizons. Retrieved 25 November 2006. "I've no idea if [Russell T. Davies] was explicitly thinking of Ian Levine when he wrote the Abzorbaloff, but I can't help but suspect that Levine was bouncing somewhere around the back of his head."
  4. ^ Petridis, Alexis (24 November 2006). "Take That, Beautiful World" (free registration required). The Guardian. Retrieved 25 November 2006.
  5. ^ McGurk, Stuart (22 October 2005). "Shows of support" (free registration required). The Guardian. Retrieved 25 November 2006.
  6. ^ Levine, Ian (26 November 2006). "Re: TV Cream rumour" (free registration required). Outpost Gallifrey forum. Retrieved 26 November 2006.[dead link]
  7. ^ "Missing Doctor Who films". Blue Peter website. 19 April 2006. Archived from the original on 31 August 2006. Retrieved 25 November 2006.
  8. ^ Zurzolo, Vincent (9 August 2005). "DC Completist Ian Levine Interview all the way from the UK!". Comic Zone. World Talk Radio. Retrieved 25 November 2006.
  9. ^ Levine, Ian (15 July 2005). "The DC Collection Is COMPLETE.". Collectors Society Message Board. Retrieved 25 November 2006.

External links

Direct download: 262_TDP_262__Evil_Annie_on_the_DWO_W.mp3
Category:podcast -- posted at: 12:00pm UTC